Seen from far off, the doorway to the cave has all the earmarks of being blue, and has a shape like that of a jellyfish. The roof of the cavern is around 25 m high. Many stalactites tumbling down from the top of the cave resemble a waterfall.
The cave is separated into three principle parts.
The outer surface is a room with a vault loaded with common light. Numerous structures may be seen in the rock arrangements of the chamber, contingent upon the creative energy of the guest obviously.
It abandons us pondering what these may be envisioned as.
The third assembly of the cave is generally opened. Gazing toward the faint light we perceive that encompassing us is the picture of an antiquated stronghold and a fight of elephants, steeds & men with bristly swords and lances.
The staying wooden pieces found in the cave have provided for its available name.
On the off chance that the Thien Cung Grotto is grand and advanced (in its common structure), then Driftwood Grotto is serious, additionally affected. In "Wonders of the World," distributed in France in 1938, the creator called the cavern "Grotte des merveilles" (a site of numerous wonders).
In the first chamber, in the exceptionally center of the cave, is an enormous column supporting the huge vault. On the highest point of the column, there has all the earmarks of being a friar hung in a
long, dull shroud, with his right hand catching a stick.
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Here, the stalactites look more modest yet more agile. One craves heading off to a pagoda with a friar in contemplation so one steps all the more tenderly.
The third chamber offers high stone segments out of which nature has cut pictures of an extensive kingdom of legends and officers holding swords and lances surging up, of war elephants and steeds or lions, and so on.
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